![]() ![]() Ki Pro Mini solves this problem by recording direct to the formats you edit in, using a variety of Apple ProRes 422 or Avid DNxHD codecs.ĭifferent cameras each record to their own native formats, which can lead to inefficiencies in the editing process. While many cameras record directly to digital files, most native camera formats aren’t designed for efficient non-linear editorial work. Recording 10-bit, full raster files, Ki Pro Mini gives you high quality images that easily stand up to post processing requirements – and client scrutiny.Ĭompared to 8-bit recording devices, 10-bit 4:2:2 recording (when supported by the codec) provides better quantization, giving a superior representation of the original scene and allowing for more flexibility in post production when adjusting color and balance.īy utilizing efficient ProRes codecs, file sizes are kept in check so you won’t need to blow your production budget on extra storage. 10-bit, full raster recordingīig on quality – but not on file size. When it’s time to edit, just remove the CF media, transfer to your computer via card reader, and the footage is ready to use straight away in your editing software, without the need for additional import or transcoding steps. ![]() The fastest path from camera to editorialĭesigned to mount easily to virtually any SDI or HDMI equipped video camera, Ki Pro Mini connects directly to your camera’s digital output and captures full quality footage to Compact Flash (CF) media in Apple ProRes 422 or Avid DNxHD formats. Ki Pro Mini mounts easily to any SDI/HDMI camera and records ‘ready-to-edit’ files in Apple ProRes and Avid DNxHD formats. Compact, lightweight and designed to fast track your footage from camera to editorial. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |